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Music Study linked to higher educational and financial attainment

Research confirms that music education at an early age greatly increases the likelihood that a child will grow up to seek higher education and ultimately earn a higher salary. If you want to be a CEO, college president, or even a rock star, the message from this survey is: take music. As with reading, writing, and arithmetic, music should be a core academic focus because it is so vital to a well rounded education and will pay dividends later in life, no matter the career path taken.

Respondents of the Harris Poll cite skills they learned in music as helping them in their careers today. Seventy-two percent of adults with music education agree that it equips people to be better team players in their career, and nearly six in ten agree that music education has influenced their creative problem-solving skills. Many also agree music education provides a disciplined approach to problem solving, a sense of organization and prepares someone to manage the tasks of their job more successfully.
Harris Interactive survey release, November 12, 2007


Music, brain development, and development of other abilities

“The musician is constantly adjusting decisions on tempo, tone, style, rhythm, phrasing, and feeling--training the brain to become incredibly good at organizing and conducting numerous activities at once. Dedicated practice of this orchestration can have a great payoff for lifelong attentional skills, intelligence, and an ability for self-knowledge and expression.”
Ratey John J., MD. A User’s Guide to the Brain. New York: Pantheon Books, 2001


Decoding Speech Prosody: Do Music Lessons Help?

Three experiments revealed that music lessons promote sensitivity to emotions conveyed by speech prosody. After hearing semantically neutral utterances spoken with emotional (i.e., happy, sad, fearful, or angry) prosody, or tone sequences that mimicked the utterances' prosody, participants identified the emotion conveyed. In Experiment 1 (n=20), musically trained adults performed better than untrained adults. In Experiment 2 (n=56), musically trained adults outperformed untrained adults at identifying sadness, fear, or neutral emotion. In Experiment 3 (n=43), 6-year-olds were tested after being randomly assigned to 1 year of keyboard, vocal, drama, or no lessons. The keyboard group performed equivalently to the drama group and better than the no-lessons group at identifying anger or fear. (PsycINFO Database Record (c) 2009 APA, all rights reserved)
Thompson, William Forde; Schellenberg, E. Glenn; Husain, Gabriela
Emotion. Vol 4(1), Mar 2004, 46-64. doi: 10.1037/1528-3542.4.1.46


Music and self-discipline

When a child learns, by experience, that music forges direct links between self and world, self-expression becomes more fluent; the music helps interpret "who I am." The child who is taught how to create music is also learning something significant about his or her innate creativity. As a child begins to understand the connection between hours of practice and the quality of a performance, self-discipline becomes self-reinforcing. It is only a short jump from that realization to making the connection between self-discipline and performance in life.
From Growing up Complete, the 1990 report of the National Commission on Music Education


Relations among musical skills, phonological processing, and early reading ability in preschool children

We examined the relations among phonological awareness, music perception skills, and early reading skills in a population of 100 4- and 5-year-old children. Music skills were found to correlate significantly with both phonological awareness and reading development. Regression analyses indicated that music perception skills contributed unique variance in predicting reading ability, even when variance due to phonological awareness and other cognitive abilities (math, digit span, and vocabulary) had been accounted for. Thus, music perception appears to tap auditory mechanisms related to reading that only partially overlap with those related to phonological awareness, suggesting that both linguistic and nonlinguistic general auditory mechanisms are involved in reading.
Sima H. Anvari, Laurel J. Trainor, Journal of Experimental Child Psychology
Volume 83, Issue 2, October 2002, Pages 111-130